BOTTICELLI, Sandro
Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.
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BOTTICELLI, Sandro varen oil painting


varen
mk248 grace, kolrit ovbdraperad kladnad bade botti lart sig av fra filippo lippi bottis tidiga tevkningsbegavning bade formidligen uppmuntrats av broderna pollaiuolo, vabeten som guldsmeder ocb gravor kravde en mycket avancerad bantverkickligbet.
Painting ID::  56497 		BOTTICELLI, Sandro
varen
mk248 grace, kolrit ovbdraperad kladnad bade botti lart sig av fra filippo lippi bottis tidiga tevkningsbegavning bade formidligen uppmuntrats av broderna pollaiuolo, vabeten som guldsmeder ocb gravor kravde en mycket avancerad bantverkickligbet.
   
   
     
BOTTICELLI, Sandro den mysrisks fodelsen oil painting


den mysrisks fodelsen
mk248 inskriptionen, som banvisar bade till apokalypsen ocb italiens priblem ar bade pa grekiskika ocb latin. botticelli botti bar anvant en mycket gammal teknik som for stor madonnan ocb barnet bilden kraver en atergang rill medeltidens moral.
Painting ID::  56498 		BOTTICELLI, Sandro
den mysrisks fodelsen
mk248 inskriptionen, som banvisar bade till apokalypsen ocb italiens priblem ar bade pa grekiskika ocb latin. botticelli botti bar anvant en mycket gammal teknik som for stor madonnan ocb barnet bilden kraver en atergang rill medeltidens moral.
   
   
     
BOTTICELLI, Sandro Illustration to the Divine Comedy oil painting


Illustration to the Divine Comedy
1480s Silverpoint on parchment, completed in pen and ink, coloured with tempera Biblioteca Vaticana, Rome Artist: BOTTICELLI, Sandro Title: Illustration to the Divine Comedy (Inferno) Date: 1451-1500 Italian , graphics : other
Painting ID::  62927 		BOTTICELLI, Sandro
Illustration to the Divine Comedy
1480s Silverpoint on parchment, completed in pen and ink, coloured with tempera Biblioteca Vaticana, Rome Artist: BOTTICELLI, Sandro Title: Illustration to the Divine Comedy (Inferno) Date: 1451-1500 Italian , graphics : other
   
   
     
BOTTICELLI, Sandro Illustration to the Divine Comedy oil painting


Illustration to the Divine Comedy
1480s Silverpoint on parchment, completed in pen and ink, coloured with tempera Biblioteca Vaticana, Rome Artist: BOTTICELLI, Sandro Title: Illustration to the Divine Comedy (Inferno) Date: 1451-1500 Italian , graphics : other
Painting ID::  62928 		BOTTICELLI, Sandro
Illustration to the Divine Comedy
1480s Silverpoint on parchment, completed in pen and ink, coloured with tempera Biblioteca Vaticana, Rome Artist: BOTTICELLI, Sandro Title: Illustration to the Divine Comedy (Inferno) Date: 1451-1500 Italian , graphics : other
   
   
     
BOTTICELLI, Sandro Paradise oil painting


Paradise
Canto VI 1490s Silverpoint on parchment, completed in pen and ink, 320 x 470 mm Staatliche Museen, Berlin Artist: BOTTICELLI, Sandro Title: Paradise, Canto VI Date: 1451-1500 Italian , graphics : other
Painting ID::  62929 		BOTTICELLI, Sandro
Paradise
Canto VI 1490s Silverpoint on parchment, completed in pen and ink, 320 x 470 mm Staatliche Museen, Berlin Artist: BOTTICELLI, Sandro Title: Paradise, Canto VI Date: 1451-1500 Italian , graphics : other
   
   
     
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     BOTTICELLI, Sandro
     Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.

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